Background

Binocle has always understood that motion control and digital imaging play an essential role in real-time 3D parameter simplification and adjustment.

Technological revolution

Stereoscopic production can be mastered by motion control, a technique which allows camera motion to be controlled accurately using computers.

The capture of motion control data and stereoscopic corrections simplifies all post-production processes.

However, stereo shooting-related residual artifacts and disparities bring about cerebral stress, which impairs the comfort and pleasure of viewers over the duration of a feature-length film or TV program.

Furthermore, regardless of the accuracy of motion control technology, mechanical, optical and electronic devices can not yield zero-defect results. Thus, digital image correction performed in post-production for the cinema industry and in real time for the 3D HD TV industry is an essential part of 3D stereoscopy.

Artistic revolution

This technological revolution is accompanied by another type of revolution: an artistic revolution.

 The 3D image is totally different from the 2D image, unlike High Definition which is simply an improvement of the quality of the 2D image.

 Cinema directors and operators now have new narrative and production tools for state-of-the-art cinematography.

 The public is unanimous in demanding images and films of enhanced visual quality.

Binocle is part of this technological and artistic revolution, providing the tools to make technical mastering and 3D production available to most directors and technicians, and a pleasant experience for viewers.

Ever since its creation by cinematographers in 1998, Binocle’s mission has been to provide innovative solutions for stereoscopic film shooting and post-production.

A year after its creation, Binocle formed a partnership with Thomson Broadcast Systems and Angénieux to develop the first fully motion-controlled digital stereo camera allowing real-time stereoscopic disparity visualization.

1995-1998:

 Binocle’s founders announce the 3D revolution that we are experiencing today.Binocle’s founders announce the 3D revolution that we are experiencing today.

1998:

 Creation of Binocle S.A.R.L
 Partnership with Thomson Broadcast Systems and Angénieux.

1999:

 Development of the first motion-controlled digital stereo camera allowing real-time stereoscopic disparity visualization.
 Presentation on Thomson’s stand at IBC.

2000:

 First live stereo multi-camera broadcast on big screen.

2000/2008:

 Ongoing R&D projects for all stages of stereoscopic production, from shooting and post-production to distribution with the support of the ANR (French National Research Agency) and OSEO Anvar.

1st semester 2009:

 Launch of a range of three rigs, designed for all types of cameras of all sizes and weights, for sale or hire (with expert operators). They are light-weight, easy to handle and fully motion-controlled, and can accommodate all the D-cinema and HD TV cameras available on the market.
 Market launch of the stereo image correction display system. It enables real-time viewing of films totally free of visual disparities or artifacts, thus eliminating cerebral stress, providing the same film as will be seen by viewers.


2nd semester 2009:

 Market launch of the stereo correction device and plug-in.

2009/2010:

 Creation of an international network of users of our technologies and distribution partners.
 Market launch of the 3D HD TV real-time stereo correction system.